我母亲的朋友

　　『ジョーズ』を発端にしたパニック映画ブームにあやかり東映が発表した作品。富士五湖の中でも地味な西湖、精進湖を舞台に、一大スペクタクルが展開する。

　　一名联邦调查局特工和佛罗里达州官员联手调查一系列未侦破的谋杀案。

肖首英是一位放浪不羁的拳击手，因为参加拳击比赛，而失去了患病的妻子，从此一蹶不振，他答应妻子以后退出拳台，绝不会让儿子肖凯去打拳。肖凯从小就有打拳的天赋，但肖首英一直在阻拦，肖凯偷偷的报名参加了拳击比赛，最后赢得了冠军，从此打开了父亲的心结

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.