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格斗家
周小伟小说作家阿贞与拳王父亲从小存在隔阂,父亲离世后,她通过格斗竞技探寻真相,逐渐理解父亲并完成自我蜕变。影片围绕父爱与亲情展开,男主角虽格斗天资一般,仍不懈追寻梦想。剧情融合文与武转换、善与恶抉择,最终阿贞为父正名,成为真正的格斗家 。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
童使
泷泽秀明,有冈大贵,门胁麦本作导演为清水崇,共演演员为有冈大贵和门脇麦。takki饰演能操纵孩子灵魂并对施虐大人下死亡诅咒的神秘男子。大贵饰演追寻真相的记者,门脇麦则饰演他的女朋友。该片定于6月17号日本上映。
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观影评论
好吧好吧[:bjqgx|熬夜:]
谁有陈大师打字截屏啊
拿图的吱~一声哟!
卧槽!我本以为是两刀,没想到一刀连人带马首一起斩了,这斩击威力是有多大啊!!!
太喜欢了,画风也在我的心巴上,以前就看过,现在从看还是好喜欢
感觉跟不上雨总的节奏啦![:a无奈:][:a无奈:][:a无奈:]
我滴个乖乖,她真敢吞啊,换我的话,我看我自己手里我眼球我就想吐[:a安详:]
我去乌鸦坐飞机,不过老兰你还真不挑食啊,我已经看出来你不简单了[:a笑哭:]
唔唔,不建全关系哭死我了!!!!!!!!!!
你但凡断章的那里多画几格都不至于这样,真乃断章仙人