近藤麻美

在战火纷飞的中世纪王国中，手握利剑的斯嘉丽公主为替父报仇毅然踏上征途，却以失败收场。当她再次醒来时，发现自己身处神秘的“死者之国”。在那里，她邂逅了一位来自现代的理想主义青年；他的善意与慈悲，动摇了她心中根深蒂固的仇恨。当杀父仇敌再度现身，斯嘉丽必须做出抉择：是继续执念于复仇，还是寻找到仇恨之外的人生意义。

　　飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.