看护妇日记 邪恶的手指

　　摄影师丽莎突然失踪。最后的线索指向她拍摄过的七个足球场——它们散落在格鲁吉亚七个偏远村庄。父亲伊拉克利踏遍这些球场寻女，丽莎的挚友、如幽灵般的列瓦尼悄然加入搜寻。每当球场更迭，相遇的村民与他们的故事便如走马灯般轮转。看似荒诞的旅程里暗涌渐起：每踏过一片坑洼的草场，每穿过 一座寂静村庄，找到丽莎的希望便如晨雾般日渐稀薄。

 故事发生在八十年代的意大利里维埃拉，每年夏天，十七岁的少年艾力奥（提莫西·查拉梅 Timothée Chalamet 饰）都会跟家人一起来此地度假。今年，和他们共享假日时光的，还有来自美国的奥利弗（艾米·汉莫 Armie Hammer 饰），高大英俊热情开朗的奥利弗很快就获得了艾力奥一家人的喜爱。随着时间的推移，艾力奥和奥利弗之间渐渐产生了致命的吸引力，但性别和年龄的桎梏让他们迟迟无法跨出那关键的一步，与此同时，单纯善良的少女马奇娅（艾斯特·加莱尔 Esther Garrel 饰）也向艾力奥奉献着自己的感情和身体。最终，汹涌的激情冲破了艾力奥和奥利弗之间的防线，两人开始了一段注定不会有结果的恋情。

该片翻拍自2006年上映的同名日本电影，讲述罹患罕见疾病——XP色素性干皮症的女主因为皮肤不能接受阳光照射，否则将出现生命危险。从此白天与之无缘，只能终日躲在家中，唯一的乐趣也只是趁着夜晚踱到车站广场唱着自己喜爱的歌。在这一过程中，女主渐渐喜欢上时常路过车站的冲浪男孩的爱情故事。

　　19岁的少年赛斯·戴维斯（吉奥瓦尼·瑞比西 Giovanni Ribisi饰）一心希望能尽快淘到自己的第一桶金，好让父亲另眼相看。他本打算靠玩非法纸牌起家，却发现此路根本行不通，直到一家名为J.T.马林经纪公司的股票经纪商找上了赛维斯。　　在这个号称“锅炉房”的核心办公室里，多少个一夜间成为百万富翁的故事深深诱惑着赛维斯。很快，野心勃勃的赛维斯便以优异的成绩通过了股票经济人认证考试，开始了他的“成功之路”。他把那些永远都没有前途的股票卖给利欲熏心的投资者。赛维斯正以极危险的速度追逐着金钱与利益，靠近着他所谓的功成名就，贪婪而不安。在纽约长岛这个瞬息万变的商业圈里，良心未泯的赛维斯终于开始面对良心的考验。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　A hit and run of an 18 year old girl becomes the hub of a wheel that sets into motion many a spoke - a journalist , a raging mother, a cop and a system all caught in an ethical dilemma. Questions raised only to realise that truth is rarely pure and never simple.