意外的春天

　　当Claire的女儿在一次濒死体验后表现出越来越令人不安的行为时，她开始相信自己的女儿把邪恶的东西从另一个世界带回来了。

在西班牙马略卡岛的一次旅行中，两位年轻女子（吉尔和薇薇安）在一家偏僻的酒吧里遇到了一群欧洲游客。她们一起游览了当地的徒步路线，却以薇薇安惨遭杀害而告终。友谊逐渐被猜忌和恐惧所取代，幸存者们开始努力找出潜伏在她们中间的凶手。——布鲁克法官

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　本片在2025年圣丹斯电影节一举拿下世界剧情片竞赛单元评审团特别奖（创作视野）和观众奖两项大奖。马其顿偏远村庄的15岁的牧羊少年沉醉于音乐世界，但在传统社会规则下，他必须面对来自周遭环境与父亲的质疑。某日放羊途中，他偶遇了一场大型的电子舞会，邂逅令他心动的女孩……导演乔治·M·温科夫斯基的长片首作试图探索集体期望与自我表达之间的微妙平衡。片中鲜活的色彩、诙谐的桥段、惹人怜爱的角色和韵律十足的音乐，为这个成长故事注入勃勃生命力。影片温柔且有力地回答了艺术如何成为精神避难所，又如何变为成长催化剂。