失落女人之家

　　A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.

　　一双绣花鞋，隐藏着一个死亡诅咒，凡是穿过绣花鞋的人都意外惨死，无一幸免。安雯（何乙轩 饰）大病未愈，摆脱了丈夫潘航（辉灿 饰）和医生的看护，独自逃回老家古宅生活。安雯在老宅发现了一双祖上流传并受到死亡诅咒的绣花鞋，阴差阳错之下绣花鞋穿在了她的脚上，意外开启了绣花鞋上的死亡诅咒。咒怨生效冤魂索命，盘桓在老宅之中的诡影无处不在，无法摆脱的恶灵如影随形，迫使频临崩溃的安雯做出疯狂的举动，陷入一场危机四伏的惊魂逃亡……

　　赤松德郎是个脚踏实地的小型运输公司老板，一直努力维持公司，然而某天他公司的货车发生轮胎飞脱导致年轻母亲死亡的事件，在警方和媒体都认为他是杀人凶手之时，赤松查出全国都出现类似的事故，全部都涉及大型汽车制造商「希望汽车公司」的汽车，于是赤松为了证明自己无罪讨回公道，只身挑战庞大企业。

　　一对从外地来到北京打拼的陌生男女由于被骗不得已合租一间地下室，并同睡一张床引发的一段啼笑皆非的故事，与其他合租不同的是两人分时段合租，男孩晚上住，女孩白天住。那么两人如何被骗，又是怎样住在一起，女孩晚上又在做什么？而当这张床又被笨贼盯上，几人围绕这张床又会发生怎样出人意料的故事呢？很快我们就能得到答案。 该剧针对性强，受众度广，笑点密集，情节曲折幽默，搞笑而不搞怪，通俗而不低俗。

莉迪娅从小在父亲的暴力阴影下长大，游泳是她唯一的逃避方式。她凭借奖学金进入大学，却在成年后陷入毒瘾、混乱的性关系和失去孩子的痛苦中。她的人生如同水流，时而湍急、时而沉寂，无法掌控方向。在最深的低谷中，莉迪娅开始写作。文字成为她的呼吸，也成为她重新定义自己的方式。她不再只是受害者，而是讲述者，是创造者。通过回望过去，她一点点拼凑出破碎的自我，也在写作中找到了勇气。 　　影片改编自莉迪亚·尤克纳维奇所著回忆录。

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.