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故事发生在1943年，德军统治下的罗马尼亚，德军伍尔曼上校（尤尔根 ;普洛斯诺 J uuml;rgen Prochnow 饰）带领一队士兵到达罗马尼亚的某个小村庄，驻军在一个古老的碉堡中，不久后，这些士兵却一个一个离奇死亡，凶手还在尸体旁边刻下了神秘的古老文字，于是德军将一个犹太籍的中古历史学家库拉博士（伊安 麦克莱恩 Ian McKellen 饰）从集中营放出来，协助伍尔曼上校调查此事。库拉博士发现凶手是困在碉堡中的一个远古邪灵，他吸取人类的生命力，以维持自己的力量，于是库拉与邪灵达成协议，只要邪灵能摧毁希特勒的军队，那么他就将邪灵从碉堡中放出。此时，一个希腊人葛莱肯（斯科特 ;格林 Scott Glenn 饰）特地来到了小村落，他决定不惜任何代价阻止库拉博士将邪灵释放，因为一旦邪灵恢复自由，他的诅咒将会危害全人类
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
查理的前妻失踪了，于是他去了她长大的地方，一个位于西部的乡村城镇寻找她。 但是，令人惊讶的是，没有人知道她或她亲戚的所在。 然后他又遇到外星人，但是当他联系联邦调查局时，并没有人相信他。 他只好将故事登报，并随即受到了外星人的追杀。
父亲一去不返，原本在城市上班的阿亮，回到被遗忘的沙洲，寄居河边破房子，在垃圾场打工。岛民为土地公抬轿，被丢弃的神明都挤在寺庙中。阿亮发现神秘红裙女子漂浮于河上，她似乎有着不堪回首的过去，或许她根本就是河鳗化身？视觉艺术家朱骏腾首部长片，取景于台北市内遭限制开发逾半世纪的社子岛，建构如梦似幻的幽灵地带，以浓烈的符号和隐喻，展现实验风格，透过一段萍水相逢的奇遇，映照生命的困顿与无常，探索欲望与归属。柏林影展视角单元。
安在天老当益壮
发图了，超甜的
十三，该学学了，渣男的，哦不，男人的觉悟
无脑看就完事了，别带脑子看，但我为什么总感觉这个木兰有点牛头人呢
啊～啊～啊～断这里！啊～我～啊～受不了～（满地打滚）好难受～啊～[:dwrmbq|委屈:]
在不知情的人看来，沈浪的的计划和如何用三步把大象装进冰箱一样的计划一样[:a狗头:]
宁寒公主和沈浪有关系吗看过的告知一下谢谢
这个漫画没有点文化真看不下去又有英文又有文言文，还有科学知识没点文化真看不下去，作者大大，你是要我们的命
豹豹猫猫(•̥́ˍ•̀ू)窝补药分家(ﾉಥ益ಥ)
你们的截图都不是完整版，我录屏了，现在去截图给你们