姐夫的满足

　　一对夫妇在被暴徒控制的中西部地带，只有通过与之斗争才能回家的故事，影片将于6月29日北美上映。

　　占士邦（谭耀文 饰）长得一表人才又颇具才干，是广告行业内出了名的花花公子。因为对感情缺少信任，年岁渐长的他依旧保持单身，在内心里，他一直希望能够出现一个“完美的女人”，捕获他的真心。　　最近，占士邦在工作上遇到了点麻烦，他需要策划一支啤酒广告，却苦于没有灵感。就在这个节骨眼上，仿佛是上天赐给他的礼物，一个神秘的女子茱莉亚（舒淇 饰）出现在了占士邦的生活之中，只是，当占士邦开始注意到茱莉亚之时，她早已经消失的无影无踪。茱莉亚的冷艳与神秘带给了占士邦灵感，工作上的问题迎刃而解，与此同时，占士邦亦对茱莉亚的真身产生了兴趣。

 首次揭秘长征纪实事件，1934年中央苏区第五次反围剿失败，红六军团奉命西征，进入贵州石阡，一场战役后，800多名红军消失在石阡困牛山，解放后中央多次寻找未果。70年后少数民族一个奇怪风俗揭开了谜底，红18师52团为了掩护军团主力突围，为了不暴露主力行动方向，他们将敌人引至困牛山，面对数倍的敌人浴血奋战，战斗至最后，狠毒的敌人拿老百姓当人肉盾牌，危机时刻， 100 多名红军战士为了不误伤百姓，宁死不当俘虏，全部跳崖壮烈牺牲。被称为是中国军史和世界军史上的奇迹和壮举！

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.