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克罗克特先生
1993 年，发生了可怕的事件：一个神秘的儿童节目主持人克罗克特先生神奇地从电视机中出现，绑架了年幼的孩子杀害了其父母。而在克罗克特先生绑架了女主的儿子之后，女主开始了危险的追寻之旅，她要找到这个恶魔，救出她的儿子。
德州棉花
一位年迈的老警察深信在他小镇上被捕的神秘陌生人是无辜的，进而展开的调查就像捅了马蜂窝一样，将永远改变这个镇子。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
幸存者2015
故事讲述一个男人在森林深处一个小农场里，保护他的土地和作物，但长期的孤独造成了他失去控制...
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观影评论
好看，就是更新慢，非常优秀的一部作品
牛的我一直在找宁元宪的表情就是没有
这宁z我认识[:a无奈:]昨晚还拉我打瓦呢
这好办啊，三国水浒西游记，说岳隋唐杨家将，说几年都不重样
有没有看过原著的老哥讲讲为什么不行啊[:a狗头:][:a狗头:]
雨总[:zgxdheizi|yyds:]拿图吱声[:a可爱:]
所以沈浪其实也没招，真的就想这样摆摊招人？？
我的天，超级好看，我家雨总最帅最美，爱你一辈子，我副推的位置留给你。