偷妻之寂寞难奈

一名警察遇害身亡，查案的警员发现这与其双胞胎兄弟及他们令人不安的过去有关，一场令人心惊胆战的真相探查就此展开。

　　本片根据真实事件改变. 俄罗斯美女露西亚娜入境纽约后, 濒于生活崩溃的边缘, 除了保姆的工作之外, 她还得担任另一份危险的工作: 脱光后, 与世界最具有毒性的蜘蛛共处一隅....

 故事发生在车水马龙的大都市纽约，杰瑞（加里·格兰特 Cary Grant 饰）和露西（艾琳·邓恩 Irene Dunne 饰）是一对感情十分要好的夫妻，两人时常结伴出入上流人士所举办的高端晚宴之中，生活极尽奢华，但随着时间的推移，这表面幸福的婚姻生活终究还是出现了裂痕，杰瑞和露西决定离婚。在两人分开之后，杰瑞邂逅了富有而又美丽的遗孀芭芭拉（莫莉·拉蒙特 Molly Lamont 饰），露西则傍上了石油大亨丹尼尔（拉尔夫·贝拉米 Ralph Bellamy 饰），可寻找到了各自幸福的两人却并不能相安无事，正相反，他们开始想方设法的破坏和阻挠对方的情感关系，就此引出了一系列荒诞可笑的意外。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.