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《枕边书》《性感枕边书》由法国、英国、荷兰、卢森堡、日本、中国多国演员所拍摄；和子（邬君梅 饰）小时候每次生日，双性恋父亲就会用毛笔蘸上红颜料在她脸上写字，这给和子留下极深刻的印象，她从此认定写在身体上的书法才是唯一的书法。加上自幼接受文学熏陶，内心有着自己独立的想法，却迫于现实中父权的权威而无法尽情释放自我。亦因为难以明白她对自我的追寻是寓于对文学的痴迷中，和子的第一段婚姻以失败收场。其后她去了香港，在那里她认识了出版商Jerome（伊万 麦克格雷格 Ewan McGregor 饰）和他的双性恋恋人谢朗，谢朗鼓励她在自己身上写字，和子就此创作《枕草子》，渐渐地，谢朗与和子因志趣相投而感情日深，为了夺回和子，Jerome决定以死相逼。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
影片以重复加碎片式的感官叙事手法，讲述了年迈且身患疾病的安东尼（安东尼·霍普金斯 Anthony Hopkins 饰）正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中，安东尼发现自己仿佛进入了一场奇怪的时空之旅，错乱的记忆和时间线交织出一段段匪夷所思的故事，而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。
真正的友情从无关身份，而是两个迷茫的灵魂恰好相互照亮。生活失意的老郑与无处可去的亮亮相遇，老郑意外成为网红，而亮亮成了他身边最坚定的搭档。 两人一路同行，也在彼此的生命中照进光芒。一段身份悬殊的特殊友谊，在笑泪交织中悄然生长。 然而，当老郑在流量中逐渐迷失走向失控，这段关系也迎来了前所未有的考验……他们，能否成为彼此最特别的那束光？
还能继续更新就是天大的好事
还得岳母得劲！
还好有先见之明，提前买了差不多一百张阅读券
我也截了这张图[:bjqgx开心:]，哦，还有一张
看到这么邪性的东西，突然感觉随便给自己以外的人以关心的名义，为自己私欲求取一些东西，真的很不好！！
兰疯子应该写的是《推恩令》
不会是长满了脓包吧，我去，好猎奇
这仨表情还挺像[:a咦！:]
给不能截屏的姐妹们
我喜欢花点卷，因为我全部买了，sb会员sb才充