丈夫同意与大学同学换妻性爱

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2001年阿根廷社会动荡的盛夏，布宜诺斯艾利斯郊区的三个少女闺蜜，都对发小迭戈暗藏情愫。迭戈与成熟女性西尔维娅相恋后，少女纳塔莉亚在祖母的帮助下，对二人施下黑魔法诅咒。失控的诅咒引发超自然灾难，将所有人拖入采石场湖的黑暗深渊，青春期的嫉妒与欲望，在南美社会的创伤背景下，演变成一场无法逆转的致命危机。

這是一部只有背景音樂寫實的粗獷毫不妥協且極具風格的獨立無聲藝術電影，描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩中的人物故事。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster