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八月2025
丹尼尔·沃罗比耶夫,谢尔盖·别兹鲁科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利维,罗曼·迈迪安诺夫,奥尔佳·奥佐拉平亚The history of the military operation "Bagration", which took place in August 1944.
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大家的歌
白滨亚岚,片寄凉太,小森隼,佐野玲於,关口Mandy,中务裕太,数原龙友,早见明里,槙田雄司,穂紫朋子,天野花奈,山川真里果在本作品中，人们听了从某个卡式录音带中流淌出的“某个旋律”后，自己也渐渐哼唱起了那个旋律，被卷入了不可思议的事件中。
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气死我了，我花钱不是为了看404。。☺️🖕
气死我了，我花钱不是为了看404。。☺️🖕
总觉得这个表情莫名的熟悉，特意去翻了一下。。。。哈哈哈哈哈哈哈哈哈哈哈哈哈
怎么苦海有头发了，我记得原作没头发，沈浪害费劲拿铁丝穿头皮给提起来了
“哥，哥，我说说的，我练我练，快放我下来，我还有口气还能抢救一下”[:a狗头:]
好的也行毕竟这烧脑的故事我都不记得谁是谁了😂
都是空白，你好意思收我的钱
超级好看，十五个字凑出来真他妈费劲
我比不过五年级的
友友们，氦气自杀的方法我试了（有医护人员陪同，只吸了一分钟）不要模仿，有窒息感，很难受