美好的危险丑闻

　　潇洒是一个船员，整天在海上漂泊，一去就是几个月，他的妈妈和小妹阿珍都很担心他。一天，潇洒回到家，妹妹非常惊喜，可是他的妈妈并不开心，觉得他没有出息。潇洒很是委屈，于是借酒消愁。阿珍和她的妈妈靠开小店为生，每天，早晨都有很多出租司机来照顾她们的生意，其中有一位司机阿光对阿珍有意思，经常来帮助她们。一天，政府通知他们，房子半年后要撤，但是他们一时又拿不出钱去买新的房子，为了筹钱，于是一家人在阿光的帮助……

 盛夏的度假时节，一位城市女人来到乡下滞留，这期间，城市女人诱惑了当地的农夫并教唆他杀死自己的妻子（Janet Gaynor 饰）以便贩卖掉农庄后私奔。被迷惑了心窍的男人早已忘记了那些同妻子共处的纯美时光，他将妻子带到河面蓄谋加害，却在要下毒手时幡然悔悟，伤心的妻子踏上了进城的列车，男人穷追不舍一同抵达城市。城市里真正是一片花花世界呵，这对夫妻在街上游走玩乐，在那些小小的玩笑中，甜蜜的冒险中，他们又找回了爱情的美妙共鸣……和好如初的两人返回乡村，不料却在归途遇上了肆虐的风浪……本片是德国导演茂瑙赴美发展后拍摄的第一部作品，曾被多家权威媒体评选为默片最佳杰作之一，获第一届奥斯卡最佳女演员、摄影等多项褒奖。

　　即将失去抚养权的父亲，逼不得已成为模范父亲，用“坏”的方式教育女儿，笨拙又无条件。从不正常的家庭应对现代生活的反映，上升到了社会议题。有别于传统的法国喜剧。。。。

　　一家玩具公司的狡猾主管绑架了圣诞老人，这对父子必须挺身而出，营救圣诞老人，拯救圣诞节。

　　虽然是三次面谈之旅，但我觉得三次否认叫Peter更合适；08,20-08,22FathomEvents,电影大概只有90分钟，后附30分钟interview分享一些信仰心得，恍然间有点以为看到了TheSunsetLimited(2011)的感觉，电影不合情理得把神实化（降临），但又很合乎情理的在分享Paul的见证，所以最后interview有个问题是为何上帝没有启示我，这个问题答案就是：先求他的国和他的义，然后你才能见证他的神迹。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.