梦精记

　　简介：石惊天是一位擅长办理离婚案的风流律师，喜欢与有夫之妇鬼混。老友黄律师之婚礼，令石突然萌置家之念。遂托物色对象，欲将朱带金改造成他理想的太太。一天，石的堂弟石头从外地回来，诉说未婚妻移情别恋，石大骂石头有辱家风，于是授计助其追女仔。原来石头想要追求的正是朱。石知道后，马上带朱到西班牙渡假，奈何石头苦苦追踪而至……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

泥娃娃，泥娃娃，一個泥娃娃⋯⋯ 　　童謠的背後，隱藏著神秘驚悚的故事。在遊戲公司工作的旭川（楊祐寧 飾），為開發一項新的恐怖VR遊戲，意外將一尊來自凶宅現場的殘破泥娃娃帶回家，沒想到懷有身孕、身為文物修護師的妻子慕華（蔡思韵 飾）對其產生異常執念，不斷進行修復。隨著家中怪事頻傳，慕華狀態也越來越虛弱，旭川無計可施，輾轉求助通靈驅魔人阿生（張軒睿 飾），而泥娃娃背後深埋的駭人祕密，也隨之浮出水面⋯⋯

　　《尸还魂》血性男子阿良发现女友桂儿和另一个男人波苏搞在一起，愤怒的阿良驾驶机车追赶，结果不慎车祸身亡。葬礼的第三天，平日的狐朋狗友悉数到场，连桂儿和波苏也到场上香，而灵异事件也突然发生。在此之后，众人寻找阿良丢失的手机，阿良的鬼影却接连出现；《献阴琴》某女子教会学校，传说曾有一个为情而死的修女，她死后变成无头女鬼，在夜晚弹着动听的钢琴。而如果虔诚地向他许愿，很快就会梦想成真。但是这也伴随着可怕的危险。充满嫉妒和爱欲的女孩，为情涉入险地；《祭纸扎》纸扎店老板的老婆珠珠外遇归来，对老公大献殷勤。常被欺负的小伙计阿默刚好从网上发现一则车祸消息，而这个消息让他大为震惊！恐怖不眠夜，阴雨连绵。

尼古拉斯·考夫兰和伊莎贝尔·戈尔注定要在一起。问题是他们是否会发现。正如鬼魂、命运和真爱的纯粹力量将尼古拉斯和伊莎贝尔拉在一起一样，生活也有可能将他们分开。

　　在被诊断出患有绝症后，克莱尔决定进行最后一次旅行，前往瑞士。在那里，她可以在一家协助自杀协会的帮助下决定如何以及何时结束自己的生命。陪伴她超过四十年的查洛决定与她一同踏上这段单程之旅。与此同时，摩根娜在父母之间以及他们即将离开的所有事物之间成为了一个不情愿的调解人，同时也在努力寻找自己在这个故事中的位置。